Week in Review (May 30 – Jun 4, 2022)

What have I been doing this week? I’m glad you asked! Here’s what’s been on my watchlist this week:

*Note: My reviews usually contain spoilers. You have been warned. Proceed at your own risk.*

TV

When the Weather is Fine (2020) – Ep 6-7

My slow and steady watch of WtWiF continues, and with the school reunion upon us, we learn a little bit more about the town and its people, both their younger selves as well as the people they have become. The whole of Episode 6 had a nostalgic vibe to it, with old friends reuniting and rekindling past friendships (and rivalries).

This episode introduced guest star Kim Young-dae as our convenient plot device – I mean, past flirtation, to push Hae-won (Park Min-young) into realizing her feelings for Eun-seob (Seo Kang-joon). The episode ended with Hae-won’s moonlit confession of her feelings – only for the next one to start with Eun-seob  awkwardly responding “okay” and then running away. To add insult to injury, Hui (Kim Hwan-hee) witnessed the whole thing, but is luckily there to guide her through the rejection with all of her 15 years of life experience. Hui is slowly becoming my favourite character, maturing and growing and putting stupid boys in their place where necessary.

Another one of my faves is Jang-woo (Lee Jae-wook), who is somehow bumbling yet confident, surly but warm-hearted. The fact that such a genius can be so stupid sometime amuses me to no end, and I’m happy that he’s there to provide a link between our characters and act as a bridge between the sometimes disjointed aspects of the narrative.

Speaking of disjointed, I feel like sometimes the tone of the show shifts too far in one direction or another, starting off extremely light-hearted but getting melancholic quickly. There seems to be a sadness that the writers like to lean into more than I find necessary, and the end of Episode 7 is a prime example of that. There seems to be something greatly bothering both our leads, but they seem unable to express themselves or move forward from it, so rather they wallow in their despair.

I’m quite ready for springtime to come to this sleepy town, and with it bring new life and joy to our characters as they find their own paths to happiness.

Movies

Molly’s Game (2017)

This movie is so Sorkin. I didn’t think that Aaron Sorkin would ever be used as an adjective, but there it is. Molly’s Game encompasses so many aspects that I have come to associate with the man’s writing and directing style, that it’s almost like a signature, a style of the auteur.

The film starts with Molly Bloom (Jessica Chastain) waxing poetic about the worst thing that can happen in sports, all as a lead up to describing her own horrific skiing injury and resilience, before the film cuts to the future where Molly is being arrested for running illegal gambling games. The film then continues to jump back and forth between future-Molly looking for a lawyer to defend her case and past-Molly as she declines into the questionable world of gambling and the various vices that accompany it.

The film banks a lot on star power: Idris Elba player the big-shot attorney who tries to hold Molly accountable for her past actions and delivers inspirational monologues; Kevin Costner plays Molly’s father, who pushes her to the point of breaking, and is the cause of much of her rebellion; Chastain herself brings a strong performance to the table, making us question her character’s morality and whether she is worth the effort of rooting for, just to have her much-anticipated moment of victory by the end of the film. There are also a slew of cameos throughout the film, the most prominent of whom is Michael Cera as Player X, who I can only think  to describe as scummy and questionable.

Overall, the film delivers a fast-paced, high-intensity mystery packaged as a drama, and it was a thrill to watch. Sorkin manages to pull off what he does best, taking morally grey characters and getting people to root for their cause by slowly peeling back the layers of their characters and showing us that they’re just like the rest of us.

Week in Review (Apr 17 – 23, 2022)

What have I been doing this week? I’m glad you asked! Here’s what’s been on my watchlist this week:

*Note: My reviews usually contain spoilers. You have been warned. Proceed at your own risk.*

TV

When the Weather is Fine (2020) – Ep 5

As our Hae-won (Park Min-young) continues to navigate the difficulties of living in the tiny city, another complication arrives in the form of her mother. Myung-joo (Jin Hee-kyung) has an imposing presence and her daughter follows her around silently, despite it being clear that she is dying to say something. Even Aunt Myung-yeo (Moon Jeong-hee) is uncharacteristically well-behaved around her sister, while simultaneously being fully willing to throw her niece under the bus if it means she looks good. It absolutely cracked me up when Myung-yeo told Mom that Hae-won is living with a man.

Speaking of said man, Eun-seob (Seo Kang-joon) seemed to have his own things to deal with this episode, and we soon find out that said ‘things’ happen to be a meeting with Bo-young (Lim Se-mi), who seems to be using his closeness to Hae-won to get to her. I really hope she stops trying to impose herself on the people in Hae-won’s life after she was the one who was at fault. I do understand that they’re both adults now and should communicate better, but what Hae-won has been through left a scar on her psyche, and she’s going to need her time with it.

Despite all the difficulties that Hae-won went through as a result of her mother’s actions and resulting incarceration, it seems that the two have a cold relationship. It’s clear that Hae-won craves her mother’s attention, but Mom just doesn’t seem willing to give it, and things reach a boiling point by the end of the episode, where Hae-won spills her guts to her mother about wanting even a smidge of love or affection from her.

Sadly, despite all that, Myung-joo is still a difficult person to read, and when she has a strange encounter with Eun-seob later, it only further solidified this sense of confusion for me. I’m not sure how much more involvement Mom will have in this story, but I feel like she was mostly there for Hae-won to have some catharsis, and then move on. And it seems like we’re moving on into love triangle territory (which I’m not happy about) but our third vertex will be Kim Young-dae (which I am happy about).

Week in Review (Mar 27 – Apr 2, 2022)

What have I been doing this week? I’m glad you asked! Here’s what’s been on my watchlist this week:

*Note: My reviews usually contain spoilers. You have been warned. Proceed at your own risk.*

TV

When the Weather is Fine (2020) – Ep 4

After over a month, I came back to WtWiF, and I was glad to see that this episode picked up where the last one left off. So often in dramaland, the writers and directors choose pretty scenery over proper character development, but this show is like a breath of fresh air, in that it lets us get insights into our characters through their stories.

Mok Hae-won (Park Min-young) shares some of her insecurities with Eun-seob (Seo Kang-joon), however we see Eun-seob more closed off than ever. It seems like there has been a complete reversal of their characters when they are in private, whereas in public Hae-won is usually closed off where Eun-seob seems open-hearted.

It is exactly this generosity that makes Eun-seob the person that the townspeople rely on when a girl goes missing in the mountain forest. With his expansive knowledge of the forest, they ask – almost expect – him to assist in the search, despite the dangers it poses to him as well (and the giant team already looking for her). His mother is absolutely beside herself waiting for her son’s return, and even scolds his friend, Jang-woo (Lee Jae-wook), for sending him off on such a dangerous task. When Eun-seob finally breaks through the trees with the young girl on his back, she only has thought for how he is doing, and his family comforts him and makes him stay the night at their house.

It’s at this point that Hae-won realises that she isn’t in a place to express concern for Eun-seob, and it clearly weighs heavy on her. She finds comfort in him, and as their friendship grows deeper, I’m sure she’ll be more straightforward in telling him her thoughts, which will hopefully prompt him to be more concerned for his own well-being, too.

While the show has its fair share of drama (and the arrival of Hae-won’s mother will only fuel that), I enjoy the moments of humour and levity that are often sprinkled in. These usually come from Hwi (Kim Hwan-hee) and her boy troubles, as well as her constant mischief-making with her family. In general, I enjoy seeing the array of different characters that make up the town, and I’m waiting to see more as the story unfolds.

Week in Review (Feb 13 – 19, 2022)

What have I been doing this week? I’m glad you asked! Here’s what’s been on my watchlist this week:

*Note: My reviews usually contain spoilers. You have been warned. Proceed at your own risk.*

TV

When the Weather is Fine (2020) – Ep 3

Life has been rather busy for me, so I only got through one episode this week, but it was a rather eventful one for Mok Hae-won (Park Min-young) too. After avoiding her childhood friend-turned-enemy, she carried on with business as usual. This has become a defining feature of her character, and she seems to have an ostrich-like tendency of dealing with her problems by pretending they don’t exist. I have a feeling this is going to come to a head really soon.

With the Walnut House in disrepair, Aunt Myung-yeo (Moon Jeong-hee) being more and more concerning (I suspect she’s terminally ill), and her having to find a living space, it’s no wonder that she had a breakdown and realizes that she does want caring people around her. And lucky for her, she runs into the arms of someone willing to take her in.

We also got a slightly more melancholic look at Eun-seop’s (Seo Kang-joon) life. While it is still unclear what sorts of emotional scars he carries, he seems to want to shoulder the burden himself, and only let others see his cheerful side. However, Hae-won clearly picked up on it, and it seems that her finding him in the forest and realizing that he too has a place he wants to escape too made her feel closer to him.

I really enjoyed the stylistic choices of this episode, and I enjoyed how the book club tied the themes of this episode together. The retelling of legends, and their metaphorical application to our characters’ lives was wonderfully done, but I really just enjoyed them for what they were too. Tales like these are often indicative of what values those who tell them hold dear, and it was clear that our book club group are insightful, hopeful and self-reflective.

I’m sure going forward, our characters will only come to learn and grow, but even if they stumble or fall, there are those around them who are willing to help.

Week in Review (Feb 6 – 12, 2022)

What have I been doing this week? I’m glad you asked! Here’s what’s been on my watchlist this week:

*Note: My reviews usually contain spoilers. You have been warned. Proceed at your own risk.*

TV

When the Weather is Fine (2020) – Ep 1-2

In what has been a rather slow week, I only managed to get through two episodes of WtWiF. However, I found that enjoying this show at a more leisurely pace suits it. There’s a quiet surrealism to the way the show is shot, and I find I need time to sit with an episode after it is done, to let it sink in.

This show has been on my watchlist since it aired, but it passed me by at the time. It recently came across my radar again, and after having a bit of a k-drama – and TV shows, in general – slump, I felt I needed something light to ease me back into it. And so far, that’s exactly what the show has delivered on. The characters are mildly shrouded in mystery, and we get to slowly peel back the layers of their past from their interactions in the present. Mok Hae-won (Park Min-young) in particular seems to have a lot to unpack, as it seems life has not been particularly kind to her, and so far she’s taking the escapist route by running away to the countryside and living with her aunt.

Aunt Myung-yeo (Moon Jeong-hee) is an eccentric character, and I have a feeling that she will be the most tragic of the lot. It seems she has very little will to live well, barely scraping by. However, she’s hiding it behind a veneer of coldness and snaps at Hae-won often when confronted. They both seem to care about one another, but haven’t yet found a way to express it. I’m curious to see how this aunt-niece relationship develops as they both learn about what happened during their time apart.

By contrast, perhaps the most open character is Lim Eun-seop (Seo Kang-joon). Because we get the most insight into his character through his narrations, he makes for a good contrast to Hae-won, and I have a feeling that he will be a driving force in getting her to be more confident in herself. Since his bookshop provides a refuge and a mental stimulus for her, she seems to be turning often towards it as a safe haven. Add to that the various townspeople that treat her with kindness and compassion, as well as allowing her to revert back to her more carefree childhood day. (Lee Jae-wook was a pleasant surprise as one of their classmates.)

The story will have its fair share of drama, but I expect it to be of the day-to-day life variety as opposed to the sweeping kind we’re used to. I’m curious to see how the show continues to pace itself, and I’m hoping it maintains this lazy meander as we get to learn more about our characters.